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Volume Article Contents. Twelfth and thirteeenth centuries. Fourteenth and fifteenth centuries. Durham University. Oxford Academic. Google Scholar. Cite Citation. Permissions Icon Permissions. To a very large extent I leave aside the Occitan lyric: like all who work in this area, I recognize the centrality of the troubadours , but it would be impossible to take them into account adequately in the space available.

As I shall point out later, however, it is by no means the case that all critics vould see the development of a literary, rather than performance-based, poetry in such simple linear lines: see D. Wimsatt Austin, University of Texas Press, , pp.

Grundriss der romanischen Literaturen des Mittelalters , ii , Les Genres lyriques , ed. Rosenberg and S. Danon, with music ed. For a somewhat more recent survey of research on this topic, and a nicely balanced one, see Dennis H.

See for instance P. Yvan G.

Le Mystérieux correspondant et autres nouvelles inédites

See most recently M. Roughly contemporary, and arguing on somewhat similar lines, is a collective volume: Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance , ed. See T. Altmann and Carleton W.

Sautecroche en balade. (Kit, ) [niereusdilunra.ga]

Carroll Woodbridge, Boydell and Brewer, , pp. And which might therefore begin to answer W. Lavis and M. Petersen, M. Bruun, J. Llewellyn and E. Ostrem Turnhout, Brepols, , pp. Bibliographie und Materialien, — Munich, Saur, For a particularly sympathetic and stimulating exploration of the way rhetoric informs late-medieval verse, see Douglas Kelly, Medieval Imagination: Rhetoric and the Poetry of Courtly Love Madison, University of Wisconsin Press, In her entry in the Grundriss see above, note 6.

There have, for instance, been recent, scholarly editions of BnF n. Inglis [Geneva, Droz, ] , and of those parts of fr. IX I am thinking, of course, of the famous BNF fr. Baumgartner and N. A slightly different case is that of the lyric used as ornament or punctuation for a romance or other narrative — on which see Maureen Boulton, The Song in the Story. Brewer, ], pp. See C. David Cowling's edition of the Douze Dames de Rethorique. Published by Oxford University Press, , and cf. More specific mises au point include P.

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Jahrhunderts , ed. Spechtler, Chloe. Beihefte zum Daphnis Amsterdam, Rodopi, , i, pp. With therefore a therapeutic value. There is no equivalent specifically for French of Glending Olson's important Literature as Recreation in the Later Middle Ages Ithaca, Cornell University Press, , but its conclusions impinge on French literature and are important for our understanding of the perceived function of poetry in the late Middle Ages.

Altmann Gainesville, University Press of Florida, One of the few major recent enterprises has been the collective volume Christine de Pizan and Medieval French Lyric , ed. Richards Gainsville, University Press of Florida, It is instructive to look at Angus Kennedy's exhaustive bibliographies in this connection: Christine de Pizan: A Bibliographical Guide London, Grant and Cutler, ; supplements , It is important to notice, however, how much attention has been paid to the alliance of word and music in Machaut's lyric manuscripts: see most recently Machaut's Music: New Interpretations , ed.

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Guillaume de Machaut, Volume 1: The Debate Series: Bibliography

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